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George Shaw, Baltic Centre, Gateshead

The artist has documented a Coventry estate’s streets, paths and sheds in several thousand photographs, one of which he occasionally singles out to form the basis of a painting

Surface tensions

It is conventional to refer to Emil Otto Hoppé as an unknown photographer, but he was the superstar portraitist of the period before the second world war, writes Francis Hodgson

At home with the greats

Julia Sutherland looks at a unique collection of Dutch and Flemish Old Masters on show in Salem

Flemish flesh

Realist and classicising innovator Jan Gossaert, the underestimated painter of biblical scenes and portraits, gets the recognition he deserves, writes Jackie Wullschlager

Matisse: The Seduction of Michelangelo, Museo di Santa Giulia, Brescia

This show presents the fascinating scaffolding behind Matisse’s genius and his engagement with the 16th-century artist, and demonstrates his intensely serious approach to sculpture

The Blue Dragon, Barbican, London

This is a spellbinding piece about the choices we make and the cultural pressures on those choices

The Great Upheaval, Guggenheim, NY

This exhibition bears witness to how dazzlingly fruitful an eight-year period can be

Notes from an age of restraint

Correspondence between Federico Garcia Lorca, Salvador Dalí and filmmaker Luis Buñuel is the focus of a show that gives a vivid snapshot of a different era in communication

Tate Britain’s new watercolour exhibition

The show bravely attempts to focus on a painterly medium and at once strikes dead preconceptions about its gentle domestic character, writes Jackie Wullschlager

State of the art

Abu Dhabi’s flamboyant new museum district is set to draw millions to the Middle East. So what can it tell us about the power of culture, asks Peter Aspden

Wang Qingsong: When Worlds Collide, International Center of Photography, NY

Art aims to shed light on shadowy world

How 1970s Manhattan spawned creativity

Future of the Med is all at sea

Luc Tuymans: The painterly pessimist

The Vorticists, Peggy Guggenheim Collection, Venice

Puns in the language of pictures

George Condo: Mental States, New Museum, New York

Blue and Yellow Sickles

Lessons from IMF’s Egypt blunder

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