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George Shaw, Baltic Centre, Gateshead
The artist has documented a Coventry estate’s streets, paths and sheds in several thousand photographs, one of which he occasionally singles out to form the basis of a painting
Surface tensions
It is conventional to refer to Emil Otto Hoppé as an unknown photographer, but he was the superstar portraitist of the period before the second world war, writes Francis Hodgson
At home with the greats
Julia Sutherland looks at a unique collection of Dutch and Flemish Old Masters on show in Salem
Flemish flesh
Realist and classicising innovator Jan Gossaert, the underestimated painter of biblical scenes and portraits, gets the recognition he deserves, writes Jackie Wullschlager
Matisse: The Seduction of Michelangelo, Museo di Santa Giulia, Brescia
This show presents the fascinating scaffolding behind Matisse’s genius and his engagement with the 16th-century artist, and demonstrates his intensely serious approach to sculpture
The Blue Dragon, Barbican, London
This is a spellbinding piece about the choices we make and the cultural pressures on those choices
The Great Upheaval, Guggenheim, NY
This exhibition bears witness to how dazzlingly fruitful an eight-year period can be
Notes from an age of restraint
Correspondence between Federico Garcia Lorca, Salvador Dalí and filmmaker Luis Buñuel is the focus of a show that gives a vivid snapshot of a different era in communication
Tate Britain’s new watercolour exhibition
The show bravely attempts to focus on a painterly medium and at once strikes dead preconceptions about its gentle domestic character, writes Jackie Wullschlager
State of the art
Abu Dhabi’s flamboyant new museum district is set to draw millions to the Middle East. So what can it tell us about the power of culture, asks Peter Aspden